Susan Brannon
29 May 2012
I feel that it is my proud duty to share with you the requirements and expectations that the National Press Photography Association has on their photojournalist!
Personally, I adhere to these concepts and I am very proud of doing so. Journalism is a responsibility to the public, to report the news and events as they occur in the least bias form as possible. It is important for us to remember not to become involved one way or the other, in spite of our personal opinions and this is the challenge. We submit raw images, we do not alter or take away wires, add colors, or crop. This is our art and considering these concepts, I am always challenged to try to gain the best perspective possible to reflect the subject at hand. I am always challenged to remain as objective as possible and it is my passion to try to represent our events and people with kindness, respect and consideration. After all, we are all human beings on this wonderful planet!
Below are the guidelines:
Photojournalists and those who manage visual news productions are accountable for upholding the following standards in their daily work:
1. Be accurate and comprehensive in the representation of subjects.
2. Resist being manipulated by staged photo opportunities.
3. Be complete and provide context when photographing or recording subjects. Avoid stereotyping individuals and groups. Recognize and work to avoid presenting one's own biases in the work.
4. Treat all subjects with respect and dignity. Give special consideration to vulnerable subjects and compassion to victims of crime or tragedy. Intrude on private moments of grief only when the public has an overriding and justifiable need to see.
5. While photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events.
6. Editing should maintain the integrity of the photographic images' content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects.
7. Do not pay sources or subjects or reward them materially for information or participation.
8. Do not accept gifts, favors, or compensation from those who might seek to influence coverage.
9. Do not intentionally sabotage the efforts of other journalists.
Ideally, photojournalists should:
1. Strive to ensure that the public's business is conducted in public. Defend the rights of access for all journalists.
2. Think proactively, as a student of psychology, sociology, politics and art to develop a unique vision and presentation. Work with a voracious appetite for current events and contemporary visual media.
3. Strive for total and unrestricted access to subjects, recommend alternatives to shallow or rushed opportunities, seek a diversity of viewpoints, and work to show unpopular or unnoticed points of view.
4. Avoid political, civic and business involvements or other employment that compromise or give the appearance of compromising one's own journalistic independence.
5. Strive to be unobtrusive and humble in dealing with subjects.
6. Respect the integrity of the photographic moment.
7. Strive by example and influence to maintain the spirit and high standards expressed in this code. When confronted with situations in which the proper action is not clear, seek the counsel of those who exhibit the highest standards of the profession. Photojournalists should continuously study their craft and the ethics that guide it.
Showing posts with label photojournalist. Show all posts
Showing posts with label photojournalist. Show all posts
29 May 2012
22 May 2011
Henri Cartièr-Bresson
Susan Brannon
"To take a photograph is to align the head, the eye and the heart. It's a way of life."
"To take a photograph is to align the head, the eye and the heart. It's a way of life."
Henri Cartièr-Bresson was considered the father of modern photojournalism. He used the 35mm format, and mastered candid photography. He helped develop street photography or
“real life reportage”. His style of photography influenced photographers from then on.
He was born in France on August 22, 1908 and died on August 3, 2004 at 95.
He started out as a painter, then later experimented with photography His work was influenced by the Surrealist movement in the 1920s and he started hanging out with the surrealists in France and felt to crush tradition and photograph things as they really are.
After a trip to Africa and studying literature in the UK, he returned to France in the early 1930s.
He is quoted as saying “The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave, I couldnt believe such a thing could be caught with the camera. I said damn it, I took my camera and went out into the street”
It was then that he stopped painting and took up photography seriously. He purchased the Leica camera with a 50mm lens that was his camera for many years. This is what made the Leica so famous for street photographers!
For a great link to Cartier's images click on Magnum Photos
Related lessons:
For a great link to Cartier's images click on Magnum Photos
Related lessons:
What is the difference between Street Photography and Documentary?
Four Easy Steps to Learn panning
High Noon Photography Tips
Four Easy Steps to Learn panning
High Noon Photography Tips
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