25 May 2011

What is the difference between Street and Documentary Photography?

Susan Brannon


“In photography there is a new kind of plasticity, the product of instantaneous lines made by movements of the subject. We work in unison with movement as though it were a presentiment of the way in which life itself unfolds. But inside movement there is one moment at which the elements in motion are in balance. Photography must seize upon this moment and hold immobile the equilibrium of it.”

*Henri Cartier-Bresson, The Decisive Moment

There are various opinions between photographers between street, photojournalism and documentary photography.  The discussions can become confusing thus leaving the person who asked the questions without any real answers. Some would argue that street photography is documentary, because they are documenting something in turn, when they are doing street photography they are then doing documentary as well.  Others would argue that photojournalism is documentary photography in the simple case that the photographer is documenting something and telling a story.

The definitions:
Street Photography – Wikipedia says, “Street photography is a type of documentary photography that features subjects in candid situations within public places such as streets, parks, beaches, malls, political conventions and other settings.”   A.D. Coleman says, ““more and more photographers took to the streets with concerns that were not those of the reporter but rather those of the novelist and poet—a search for resonant contrasts, rich metaphors, and found dramatic scenarios.”  Susan Brannon says, “I view street photography as get up and go, snap and shoot, with a light weight camera taking images of things that intrigues the photographer of happenings in the street or in public places.  It is an image of something that was not planned, and generates some type of emotion.”

Documentary Photography – Walker Evans, “where true "documentary photography" would be photographs that served a function.”  Wikipedia says, “usually refers to a popular form of photography used to chronicle significant and historical events. It is typically covered in professional photojournalism, but it may also be an amateur, artistic, or academic pursuit. The photographer attempts to produce truthful, objective, and usually candid photography of a particular subject, most often pictures of people.”  Susan Brannon’s says, “It is telling stories that are not necessarily newsworthy, it is the documentation of an event or occurrence.”

Street Photography

There are no rules, expectations, limitations or steps of order with street photography.  These images do not need text to accompany them.  The images are normally of people interacting, or alone in some particular environment. The images speak for themselves, however one may not know where or when.  The images create some type of emotion and are normally reflect something that occurs at that moment that was not planned.

The images below are from walking around Florence, Italy.







 
Documentary photography is when the photographer wants to “document” something some event, or” how to do something”.  The images in documentary photography need to be accompanied with text of explanations. It takes some planning, maybe making appointments, setting up your camera with lights and interviewing the person. Such as “How to make tiles” , “Women over 40 in NY City” or on the fly as, documenting your injured car after an automobile accident for proof of insurance.  Some good samples of documentary photography are from Mary Ellen Mark.

I decided to run outside and take some images of Fashion on Salah ed-Din Street in E. Jerusalem as an example of documentary photography.












Related lessons:
Aperture and f/16 Rule
Shutter Speed Basics

Bracketing
Depth of Field
Focused Bracketing or Photo Stacking 
Exposure 

22 May 2011

The Holga Camera

Susan Brannon
20 May 2011

The Holga camera is an inexpensive medium format “toy camera” made in China.  The camera is known for generating pictures of blur, leaking light, distortions and vignetting (clear in the center and fades in the edges).  Some photographers have won awards using the Holga camera in news and art photography.

The camera first appeared outside of China in 1982.   Once the Holga hit the foreign market, photographers started using the Holga for its surrealistic, impressionistic scenes for landscape, still life, portrait, and especially, street photography.  David Burnett won a prize for the image of former vice-president Al Gore during his campaign using the Holga camera.

There are several types of Holga camera’s; light weight, fixed shutter speed, plastic lens, glass lens, built-in-flash, color flash, twin-lens reflex, 6x4.5 or 6x6 format, pinhole versions, 26mm versions, switchable from standard to panorama format,  in 110’s, 120’s, and 24x36.  There is an aperture setting switch from sunny and cloudy, with a normal value of  f-11 and f-8/ 

My advise is to use ISO200 speed films and shoot in the sunlight for best results. With the Holga you can shoot 16 exposures with a 6x4.5 format or 16 exposures with the 6x6 format, that you can choose the option on the backside of the camera.

However, when choosing the option by viewing the “window” do NOT look next to the red window but instead pointed to the arrow on the switch.

Using the Holga is pure fun, and you can adopt the camera to suit your needs, by learning to change its parts.  The plastic lens breaks up the sterility of the digital lens and creates colourful and blissfully innocent images. 

Here is a great link to learn to “hack” your Holga, troubleshooting, and techniques for the Holga at Life through the Plastic Lens. http://www.squarefrog.co.uk/


Related lessons:
Aperture and f/16 Rule
Shutter Speed Basics

Bracketing
Depth of Field
Focused Bracketing or Photo Stacking 
Exposure 

holga commercial



This is not an official commercial for Holga

Henri Cartier-Bresson



Henri Cartièr-Bresson

Susan Brannon

"To take a photograph is to align the head, the eye and the heart. It's a way of life."

Henri Cartièr-Bresson was considered the father of modern photojournalism. He used the 35mm format, and mastered candid photography. He helped develop street photography or
“real life reportage”. His style of photography influenced photographers from then on.

He was born in France on August 22, 1908 and died on August 3, 2004 at 95.
He started out as a painter, then later experimented with photography His work was influenced by the Surrealist movement in the 1920s and he started hanging out with the surrealists in France and felt to crush tradition and photograph things as they really are.

After a trip to Africa and studying literature in the UK, he returned to France in the early 1930s.
He is quoted as saying “The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave, I couldnt believe such a thing could be caught with the camera. I said damn it, I took my camera and went out into the street”

It was then that he stopped painting and took up photography seriously. He purchased the Leica camera with a 50mm lens that was his camera for many years. This is what made the Leica so famous for street photographers!

For a great link to Cartier's images click on Magnum Photos 
Related lessons: