Showing posts with label Susan Brannon. Show all posts
Showing posts with label Susan Brannon. Show all posts

25 May 2018

Old Time Blogging


So funny how old my blogs are, I started when blogging first started and just kept going. I hope you don't mind the old, standard format. I've no time to re-invent the wheel and export and re-import all of the hundreds of articles in my blogs. I've always asked for volunteers, but never find any...really. You know, I was one of the first people on this planet to "blog" before blogging, these already formatted templates came into existence. I was also one of the "first" independent news folks covering on the Middle East crisis with my own silly HTML formatted pages, typed, each link designed, each page and the "tree" generated through dreamweaver.  wow. Times have changed and I still have no time.
Anyone want to help me put all of this together, one blog and website into something a bit more...modern?
Oh, just to help keep history alive and documented, you know.
I also have thousands of slides, film, and images on CD's that need to be "updated" onto something.
Oh, if independents like myself, only had a trust fund.
Thanks for reading my vent and rant.
Shalom,
Susan Brannon


24 October 2013

The Crossing Borders Project: Jamie Portland Homeless 2013

The Crossing Borders Project: Jimm Portland Homeless

The Crossing Borders Project: Jonathan Portland Homeless

The Crossing Borders Project: Justin Portland Homeless

The Crossing Borders Project: Michael Portland Homeless

The Crossing Borders Project: Portland Homeless Collective Men (+playlist)

10 June 2013

Downsizing of Photojournalism

I knew for quite some time that professional photojournalism was on the downslide, tumbling tumbling as fast as the rate of acceleration and not a bit slower. It does not surprise me to see yet another full staff "lay-off" due to corporate downsizing and profit making mongols in the newspaper industry. The Chicago Sun-Times is quoted as saying,

 "The Sun-Times business is changing rapidly and our audiences are consistently seeking more video content with their news. We have made great progress in meeting this demand and are focused on bolstering our reporting capabilities with video and other multimedia elements. The Chicago Sun-Times continues to evolve with our digitally savvy customers, and as a result, we have had to restructure the way we manage multimedia, including photography, across the network."

 I understand that news video is increasing in demand for online news but it is not all that should be considered when reporting the news...unless people want just headlines and quick blurps without any real content. In reality this type of news leaves the population sort of ignorant as to what is really going on in the world and why whatever is going on is going on. Sure, one can use a still from a video to create a photograph but the quality is not the same, the angle is not the same and the story is not the same as a still. Will citizens of America see the difference in the quality of both the news and still image? Or will our citizens just turn a blind eye, stay silent and let what happens happen. Below is an image of the first freelance photographer assignment for the Chicago Tribune and tell me if there is a difference:


Nice photograph huh?

I have the feeling that the reporting will change around the same lines.  Pretty soon our news will be full of misspelled articles, unchecked facts without any responsibility for its' contents.  Just wait and see.

There is another problem.  As in most changes those who have "been around" know the difference but those that are young in the world will not know and thus, it will all be accepted as "normal" and good content.  We are building a less educated America and the news media insults our intelligence.  Yet, we allow it.

I can't believe that those who actually read the news enjoy waiting some time to change from one page with online news?  Turning a page takes time because it involves blocked cookies and spyware.  Good by turning a page with ease.

I would rather sit down with a cup of coffee and simply turn the pages any day.  I can take it outside, I can read it in bed, I can read it at a coffee shop and I can read it inside.  I can plop the good old print news and take it into the countryside, lay out a blanket and eat donuts and coffee to my hearts content.  I do not need to fight with the glare on my screen, plug in extension chords, carry around a laptop bag or worry about spilt coffee.

Bottom line?  The Sun-Times found other ways to acquire images without having to pay for them and they will get the quality as my example above.  I already posted a response to when CNN said that they no longer need photojournalists because they can relay on citizen journalism as a valid source for their news.  So does that mean if I have an iphone, or cannon point and shoot camera I am a press photographer?  Here is an interesting article in the NY Times:  "Do Newspapers Need Photographers?"

Or consider the fact that they want to use their reporters to double as photojournalists.  Let's consider this fact.  One, they will not get paid more for their double duty.  Two, they have spent their lives preparing to work with text, not image taking.  Three, they will miss the "action shots" because they will need to spend their time jotting notes about the event or the interview.  They will not have the time to engage in great photojournalistic shots.

Below is a great Blog from Rob Hart, who was laid off from the Sun-Times:

"Laid off from the Sun-Times"

One fellow photojournalist responded with this, "They're going to use freelancers - hire and fire policies, no need to pay for cameras, cars, pensions, health care - no moral responsibility to anyone providing images or video. Force reporters to shoot iphone pics/video, pay them nothing extra for the extra time and effort because as we all know, just as a photographer can do the job of a reporter standing on his/her head, so a wordsmith can easily do the job of a photographer - NOT! It all comes down to making the bottom line look as attractive as possible at time of sale to Koch brothers or any other taker. It's false economics, false accounting, short term, short sighted greed motivated policies. Such is the way of capitalism these days. Who gives a shit about real people? Just as long as shareholders, hedge fund managers and the banks are making their cut, the peasants can eat bread whilst the emperors parade around naked eating cake...............No need to look at what's happening in Spain, Greece, Turkey or anywhere else where the 'peasants' might just have had enough of this crap."

-Well said!

16 April 2013

Photography Workshop: Tuscany/Chianti!

I just want to let you know that I am working on setting a five day photography workshop in Italy from the 5th through the 11th or the 13th through the 17th!

I have a few slots to fill and some folks who are flexible with the dates!  We have a great time and the more the merrier!  Look at the workshop website:
Photography Workshops in Italy

Pass the word around will ya?




30 January 2013

Needs, Wants and Art in Florence


Hi everyone,

This is my first "real video" and I made it for One Day on Earth Project!
Gemma my intern and I worked on this together and she did a ton of work, plus all of the editing!
Clap Clap Gemma!

Please view the video at this link, share to spread the work and provide feedback!

Also, the CB Project is now preparing to conduct workshops with homeless men and sheltered women in Portland, Oregon!  We have a total of 18 participants.



Needs, Wants and Art in Florence from Susan Brannon on Vimeo.

21 December 2012

Vintage Fashion Photos

Susan Brannon

I did some vintage fashion shots in Florence.  Here are a few!







to view more click here




09 December 2012

Wedding Fashion Show in Florence, Italy

This is cool!  I am learning things on how to embed my own slideshow of images!  Now I can strut my stuff...

21 September 2012

Photojournalists as Terrorists in the U.S.A.


Susan Brannon
24 September 2012


There has been a lot of talk lately regarding our freedom of expression and speech in the world of photojournalism.  Last year when the Occupy movement started many journalists were reported as being arrested, some have been arrested four times.  It is our job as photojournalists to tell the story and it our job as journalists to let the world know and judge for themselves what perspective they want to take.

It is becoming more and more difficult to tell the news through the world of images.  The police hit you on the head with their batons, they block your lens they tell you to go away or they simply drag you into the back of a van for arrest.  They do not like images being taken of some of the abuses that occurs during the protests because it is proof of their uncivil behavior.  Are we as journalists supposed to tell lies through our lens?  I don't think so and that is not what journalism is all about.  Or, shall I say that is not what we are supposed to stand for ethically.

The last thing that I want to do when catching "action" and news is to ask the policemen to stand and shake the hands of a protester with a smile on his face for the camera.  That is not the reality that I hear and read about.

For me as a photojournalist, this is scary and very much so.  Not in terms of my own physical safety but in terms of our country becoming fascist in the direction of Hitler or Mussolini or even the current Berlusconi who controls almost all of the Italian media.  This is the police state that people are talking about or have been talking about in the years past.  This is not a conspiracy, this is a reality. Our country was founded on these simple freedoms, we even had street corners where people could stand and voice their opinions to those who were willing to listen.

This is a larger part of the anti-terrorist concept taken to the extreme. Democracy is denied these days.  We need to be careful of "fear", because when there is "fear" then we change our free ways.  After 9/11 it gave an excuse to change the laws.  Photographer Chris Miller who has been arrested three times said, "They’re recording us, they don’t want us recording them,” said Miller. “They really want to put a scare factor into us,” he added.

These photographers even ask if they are using their images to send to the Al Qaeda. "NPPA  responds to the LAPD special order that equates photography with criminal activity" reports that "The LAPD recently issued guidelines instructing their officers on “behavior/activity that may reveal a nexus to foreign or domestic terrorism.” Such behavior listed includes:

“Taking pictures or videos of facilities/buildings, infrastructures, or protected sites in a manner that would arouse suspicion in a reasonable person.  Examples include taking pictures or videos of ingress/egress, delivery locations, personnel performing security functions (e.g., patrol, badge/vehicle checking), security-related equipment (e.g., perimeter fencing, security cameras), etc”

The NPPA responded, "“Photography is protected by the First Amendment, subject only to reasonable time, place and manner restrictions. Unfortunately the reliance on policies such as the LAPD’s as the basis for law enforcement officers to question, detain and interfere with lawful activities by photographers under the guise of preventing terrorist activities has become a daily occurrence.”

On the "Lens Blog with the NY Times" in their article titled, "Criminalizing Photography" Through an interview with Mickey H. Osterreicher with the NPPA he says, "It’s not just news photographers who should be concerned with this. I think every citizen should be concerned. Tourists taking pictures are being told by police, security guards and sometimes other citizens, “Sorry, you can’t take a picture here.” When asked why, they say, “Well, don’t you remember 9/11?”

I remember it quite well, but what does that have do to with taking a picture in public? It seems like the war on terrorism has somehow morphed into an assault on photography."

The advise that I would give is to be polite, ask for permission to cross that "crime line" get to know your local police officers and don't argue. Just walk away and try to see if you can get that "breaking story" from a different angle.

Today there is a bombardment with citizen journalists, using their camera phones as the source.  In Libya or Syria the camera phone is useful to getting the news out and even then they are risking their lives.  The problem is that today, the photojournalists are also risking their lives but in a different way, they risk getting arrested or even beaten up.

Every day a photojournalist is getting arrested in America and that is something that all of us should be having a problem with.  Photographers today are being charged with disorderly conduct, trespassing and the obstruction of governmental administration for doing their job.  Most of the time, the charges get dropped but in the meantime the photographer did not get the news.

The point is that if you are on public property, you have every right to take a picture.  Of course there are differences between taking photographs and the use of the photograph.  Unfortunately, it is the press that is not having as much "free will" with their image taking than the normal John Doe who is photographing a local fire.  It is the press that will be told no and the John Doe can continue. Even then, it is the police in many cities that want to decide what images the photographer can use.  They want to serve and protect by deciding what images to use.  It is not their job and as Osterreicher said in his interview, "Just as a news photographer's job isn't to direct traffic, or collect evidence at a scene…"

Legally, here are some of the sited cases:

Channel 10, Inc v. Gunnarson, 337 F. Supp. 634 (D. Minn. 1972)
"… employees of the news media have a right to be in public places and on public property to gather information, photographically or otherwise."


Schnell v. City of Chi., 407 F.2d 1084, 1085 (7th Cir. 1969)
(reversing dismissal for failure to state a claim of suit claiming police interference with news reporters and photographers’ “constitutional right to gather and report news, and to photograph news events” under the First Amendment (internal quotation mark omitted)


Cape Publications, Inc. v. Bridges, 423 So.2d 426, Fla.App. 5 Dist.,1982.
"the right of privacy does not necessarily protect a person against the publication of his name or photograph in connection with the dissemination of legitimate news
items or other matters of public interest."

"...where one becomes an actor in an occurrence of public interest, it is not an invasion of her right to privacy to publish her photograph with an account of such occurrence. Just because the story and the photograph may be embarrassing or distressful to the plaintiff does not mean the newspaper cannot publish what is otherwise newsworthy."

29 May 2012

National Press Photography Association Membership agreement

Susan Brannon
29 May 2012

I feel that it is my proud duty to share with you the requirements and expectations that the National Press Photography Association has on their photojournalist!

Personally, I adhere to these concepts and I am very proud of doing so.  Journalism is a responsibility to the public, to report the news and events as they occur in the least bias form as possible.  It is important for us to remember not to become involved one way or the other, in spite of our personal opinions and this is the challenge.  We submit raw images, we do not alter or take away wires, add colors, or crop.  This is our art and considering these concepts, I am always challenged to try to gain the best perspective possible to reflect the subject at hand.  I am always challenged to remain as objective as possible and it is my passion to try to represent our events and people with kindness, respect and consideration.  After all, we are all human beings on this wonderful planet!

Below are the guidelines:

Photojournalists and those who manage visual news productions are accountable for upholding the following standards in their daily work:

1.  Be accurate and comprehensive in the representation of subjects.
2. Resist being manipulated by staged photo opportunities.
3. Be complete and provide context when photographing or recording subjects. Avoid stereotyping individuals and groups. Recognize and work to avoid presenting one's own biases in the work.
4. Treat all subjects with respect and dignity. Give special consideration to vulnerable subjects and compassion to victims of crime or tragedy. Intrude on private moments of grief only when the public has an overriding and justifiable need to see.
5. While photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events.
6. Editing should maintain the integrity of the photographic images' content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects.
7. Do not pay sources or subjects or reward them materially for information or participation.
8. Do not accept gifts, favors, or compensation from those who might seek to influence coverage.
9. Do not intentionally sabotage the efforts of other journalists.

Ideally, photojournalists should:

1. Strive to ensure that the public's business is conducted in public. Defend the rights of access for all journalists.
2. Think proactively, as a student of psychology, sociology, politics and art to develop a unique vision and presentation. Work with a voracious appetite for current events and contemporary visual media.
3. Strive for total and unrestricted access to subjects, recommend alternatives to shallow or rushed opportunities, seek a diversity of viewpoints, and work to show unpopular or unnoticed points of view.
4. Avoid political, civic and business involvements or other employment that compromise or give the appearance of compromising one's own journalistic independence.
5. Strive to be unobtrusive and humble in dealing with subjects.
6. Respect the integrity of the photographic moment.
7. Strive by example and influence to maintain the spirit and high standards expressed in this code. When confronted with situations in which the proper action is not clear, seek the counsel of those who exhibit the highest standards of the profession. Photojournalists should continuously study their craft and the ethics that guide it.

19 May 2012

Haiti: Quick Facts

Susan Brannon
19 May 2012

Haiti Quick Facts

The Crossing Borders Project is going to Haiti, to see what life is really like over there.  The different sub-cultures explain Haiti Today (2012) with different perspectives.  The Crossing Borders Project wants to know what is "really" going on.  First we have what I call the large corporation type aid workers, who received a ton of money and people are wondering where the money went.  (More of this on a different post) Second, we have the Haitians who's problems are never ending and not getting much better; HIV is at a height, recent outbreaks of Cholera at an increasing level and is feared to increase during this years rainy season; (more on this is a different post) water is scarce, and many homes have not been rebuilt while crime is rising. 

I have listed some quick "getting to know Haiti" facts

Total population 10,033,00
Life expectancy m/f 60/63
probability of dying under five (per 1000 live births) 87
80% of the Haitians live below the poverty line
Half of the population can be considered "food poor or insecure" and half of the children are under developed as a result of malnutrition.
Less than half of the population has access to clean drinking water
43% of the target population receives the recommended immunizations.
Half of the population can be considered "food poor or insecure" and half of the children are under developed as a result of malnutrition.
Haiti ranks last in the Western hemisphere
The ratio of nurses and physicians are 11/25 per 100,000
Most of the rural areas do not have access to health care, making them susceptible to treatable diseases.

There are over 600,000 Haitians living in tents and temporary structures.  Port-au-Prince is still the most affected area in the center and through the south of the city to the Carrefour, Leogane and Petit Goave district.

Cholera had entered the Artibonite River, Haiti's longest, 60 miles upstream รณ most likely from a leaky latrine at a United Nations camp for peacekeeping troops, who carried it from Nepal.

This is a country only a few hours away by plane from the United States.
This is a country where billions of dollars have been donated and much of it used to support the aid agencies. 

The Crossing Borders Project only has two weeks to let the Haitians tell their stories through the visual image so we can see their lives through their eyes.
Related Links:
The Crossing Borders Project
The Crossing Borders Facebook Group
The Crossing Borders You Tube Page
The Crossing Borders on Idealist  Looking for volunteers worldwide